As everybody knows, Paris Hilton is famous simply for existing. Even before she was a household name the heiress to the Hilton hotel fortune was famous in certain circles, partially because of her pedigree, partially because she was at every exclusive party, partially because of her very name, an instantly memorable and malleable moniker that spawned T-shirts (“Paris Hilton Is Burning”) and gossip websites alike (perezhilton, naturally). All this hipster activity was bound to spill over into the mainstream and it did in a spectacular fashion in 2003 when she and Nicole Richie — her best friend for life circa 2003 — starred in the reality series The Simple Life, which saw the two pampered socialites attempting to fit into the real world of Wal-Marts and roadhouse saloons. Just before the series hit the airwaves, a sex tape of Paris with her ex-boyfriend Rick Solomon was leaked to the Internet and the resulting media hoopla of the show and the porn made Paris a bona fide celebrity. Pretty soon, she was everywhere and she began dabbling in almost every part of the entertainment industry, from film to fashion. What all these projects had in common is that they all featured Paris as Paris — even when she was getting whacked in House of Wax, she wasn’t really playing a character — and in all of them her presence never matched her persona, which always was more compelling as seen through the prism of tabloids. She seemed destined to never deliver any project that would justify her fame, and it certainly seemed that the album that she spent two years recording would not be the project that would be a flat-out success — that prolonged gestation for a pop album nearly guarantees trouble of some kind.
Amazingly, that long-to-materialize album (it’s hard to call it highly anticipated) turns out to be shockingly good — and not just according to a grading curve for actors-turned-singers. After all, Paris was never an actress to begin with; she was a media creation who peddled the same image to a number of different formats, and it just so happens that her sexy, spoiled, shallow act is perfectly suited for bubblegum pop. Of course, it helps that she has a crack team of professionals supporting her on Paris, chief among them songwriter Kara DioGuardi and producer/co-writer Scott Storch, who is name-dropped on the first song, “Turn It Up,” and leaves a heavy imprint on the rest of the record, producing just over half of it and serving as one of the executive producers along with Tom Whalley and Paris herself. They come up with a sound that’s casually modern and retro with enough heft in its rhythms to sound good at clubs, yet it’s designed to be heard outdoors on the sunniest day of the summer. This is exceedingly light music, as sweet and bubbly as a wine spritzer, yet it isn’t so frothy that it floats away. Like the best lightweight pop, Paris retains its sense of fun through repeated listens, long past the point that the novelty of Paris Hilton releasing a good album has worn off.
類型: 流行樂, 音樂, 搖滾, 青少年流行樂, 流行樂/搖滾, 舞曲, 聲樂, 美聲流行樂
發行日期: 2006年08月14日
℗ 2006 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside the U.S.
01 Turn It Up.m4a Paris Hilton
02 Fightin’ Over Me.m4a Paris Hilton ft Fat Joe & Jadakiss
03 Stars Are Blind.m4a Paris Hilton
04 I Want You.m4a Paris Hilton
05 Jealousy.m4a Paris Hilton
06 Heartbeat.m4a Paris Hilton
07 Nothing In This World.m4a Paris Hilton
08 Screwed.m4a Paris Hilton
09 Not Leaving Without You.m4a Paris Hilton
10 Turn You On.m4a Paris Hilton
11 Do Ya Think I’m Sexy.m4a Paris Hilton
Directories: 1, Files: 11, Size: 83,833,822 B
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